1. Parasites
The Korean filmmaker Bong Joon-ho recovers the talented
narrative pulse of his beginnings with an extraordinary black comedy. Loaded
with tension, surprises and violence, it catches and does not take a breath
until the end, supported by a murky and extreme portrait of social differences.
It is a lesson in film making. The brand new winner of the Palme d'Or at the
Cannes Film Festival is, in fact, the best film of the year. Not surprisingly,
it is signed by South Korean Bong Joon-ho, author of films like Snowpiercer or
Okja, with this film, Parasites, he shares a look at the class struggle and
social inequality. A rich family and a poor family will unite their ties in the
most delusional way possible until the secrets explode through the air and all
that remains is the certainty that this is one of the most lucid and vindictive
filmmakers of today.
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