Monday, December 31, 2018

1. Roma




Roma

Director: Alfonso Cuarón

Cast: Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey, Carlos Peralta

I loved this film!! It became for me a close to portrayal of my own family domestic structure, although I didn’t grow up in the Colonia Roma where the film takes place. Alfonso Cuarón's intensely personal, dreamy black-and-white ode to his childhood in 1970's Mexico. It is a profound act of empathy for his childhood housekeeper/nanny (as played by first time actor Yalitza Aparicio), taking the story of one bourgeoisie family and juxtaposing it with the revolutionary changes in the city at the time. The city sequences are absolutely perfect, every detail is considered. The movie is filled with comically inept or absent men, delicately choreographed long takes, the intricacies of cleaning up dog poop, unforgettable set pieces (the New Year's Eve party, the Corpus Christi Massacre), and the kind of lived-in details that could only be drawn from memory. Some sequences like the one Cleo is looking for her boyfriend reminded me of Fellini’s 8 ½. The movie, which spans a tumultuous year in the family's life, sneaks up on you with a series of moments, until the emotional weight of the entire thing crashes down on you like the waves at Tuxpan in the climactic ocean scene.

The film is a technical craftsman of the highest order, the Children of Men and Gravity director has an aesthetic that aims to overwhelm -- with the amount of extras, the sense of despair, and the constant whir of exhilaration. Cuarón's artful pans aren't just layered for the sake of complexity: he's often placing different emotions, historical concepts, and class distinctions in conversation with each other. What are these different components in the painstakingly composed shots actually saying to each other? The movie is filled with compositions like that, tinged with careful ambiguity and unresolved tensions. I think is what I will call a greatly modest masterpiece.

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